Video: Utilizing wet-plate collodion pictures course of for high-end meals pictures: Digital Images Overview

Photographer Markus Hofstaetter works with the wet-plate collodion course of. Whereas this course of is usually seen with portraiture — and Hofstaetter does that, too — he just lately teamed up with meals photographer and chef Hans Gerlach to make use of the wet-plate course of for meals pictures. The outcomes are wonderful.

In a blog post, Hofstaetter mentioned how he met with Gerlach and arrange his tools for meals pictures. Hofstaetter bought a 150kg Cambo studio stand earlier this yr after which discovered a tray for it on eBay. Gerlach was the eBay vendor, and the 2 bought to speaking, deciding they’d prefer to work collectively on a challenge. Gerlach introduced meals over, and so they grabbed some crops from Hofstaetter’s backyard.

It’s uncommon to see monochromatic meals pictures. In any case, the colourful colours of the meals are sometimes a part of the general composition. Moist-plate collodion pictures is monochromatic. Additional, the method solely sees blue mild, making it totally different from conventional black and white movie pictures and far totally different from digital pictures. The method makes crimson colours seem black and blue colours seem white, with different colours falling someplace alongside that spectrum. It impacts how Hofstaetter and Gerlach had to consider the meals and the way the plates have been organized.

One other consideration is perspective. Moist-plate cameras will be fairly massive, making them tough to work with in small areas or to shoot from an overhead view. Hofstaetter opted for a 13 x 18cm format Mentor camera and a 250mm Zeiss Tessar lens that may be stopped all the way down to F16 with out requiring plenty of mild. Talking of sunshine, two 9000ws Hensel mills have been used for lighting the scene.

Picture credit score: Markus Hofstaetter

In the course of the shoot, there have been some difficulties. Just a few plates weren’t popping out as anticipated, and Hofstaetter had to determine what was going improper. Was it the fixer, developer or one thing else? It seems it was the silver nitrate tub, so he combined up a brand new resolution. There have been additionally points with the plate holder, leading to scratched plates. Hofstaetter made on-the-fly modifications to resolve the issue.

He additionally labored with some bigger 18 x 24cm plates, as effectively, paired with a 150-year-old Dallmeyer 2b Petzval lens. The smaller plates have been scanned at 200MP, and the bigger plates have been scanned at 300MP. You’ll be able to see extra photographs here. It’s unimaginable how detailed pictures shot with such an previous lens will be.

Picture credit score: Markus Hofstaetter

To be taught extra in regards to the tools Hofstaetter makes use of for wet-plate pictures, take a look at his shopping list. In case you’d prefer to view extra of Hofstaetter’s work, we’ve coated his pictures earlier than:

Video: Shooting wet plate portraits with affordable large format camera equipment

Video: Photographer uses a 4×5 large format camera and expired film for wildlife photography

This crazy fire-and-water wedding portrait was shot in a single exposure

Behind the scenes: Capturing creepy Halloween wet plate portraits

Shooting wet plate collodion double exposures…handheld

(Photos used with permission from Markus Hofstaetter)

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